Biplab Chowdhury     “Whoever feeds on my flesh and drinks my blood abides in me, and I in him.” –John 6/56   O White Swan Did I...

Brinda Bose I what conversations do you hold with the room you grew up in? are they the colour texture stink of seaweed, soaked in the spirit of briny seas olive black with the dark weariness of...

Avinash Mishra     A Biography of a New Shekhar   From the ashes of a few poems a life took birth. In order to live one must burn poems. Life seems to be at the centre of all projects and...

Mantra Mukim In one of the early scenes in the film, Albert Pinto ko Gussa Kyun Aata hain?, we see Albert Pinto entering his house, and demanding a cup of tea. A harmless demand otherwise, becomes the...

Supriya Chaudhuri Suhita Sinha Roy Memorial Lecture, Paschimbanga Bangla Akademi, 9 January 2015. This lecture was delivered in the evening of 9 January, Professor Jasodhara Bagchi having passed away...

Krishna Kalpit   Vishwa Hindi Sammelan   The language in which we wail And shed tears They ride on it And fly up above those clouds   One says I did not go Let me be counted among the tyagis...

Parimal Bhattacharya ‘I don’t know how fear, like an enzyme, triggers a chemical reaction of memory and imagination. Perhaps it plays such tricks: it not only paralyses the present and casts long...

Udayan Ghosh Choudhury   Tarpan (i) baba had said: however tall you grow, let your feet be grounded since then i am standing with my two legs on the ground ma, tell me how do i now wear my pants?...

Oswaldo de Andrade Cannibalism: An Introduction to “Cannibal Manifesto”   The starting date for the Brazilian modernist movement, which advocated a return to the soil, is usually given as 1922...

On November 28, 2011, Chris Mansour interviewed Julia Bryan-Wilson, Associate Professor of Modern and Contemporary Art at the University of California, Berkeley and the author of Art Workers: Radical...