Prasanta Chakravarty Unappeasable and plain. That is the reason Simone Weil is able to unburden and pull us deeper into relentless entanglements and by doing so, sets us free. “The woman who wishes...
Classics of Literary Criticism Revisited All Flesh is Grass Harold Bloom: The Shadow of a Great Rock: A Literary Appreciation of King James Bible How does an engaged work transcend...
Amrit Gangar The title might sound as unpredictable as Renu Saluja’s ‘cuts’ in the films that she edited in her short but brilliant career in Mumbai. Renu Saluja (1952-2000) sailed...
Prasanta Chakravarty “पावर में एक कमी थी, तन्हाई से डरती थी” ~ आर. चेतनक्रांति (There was but one lack in power, despondency terrified it) ~ R. Chetankranti “Who will say, and in...
Paramita Ghosh Excerpt from: In a Future April (a novel) © Radical Notes radicalnotes@radicalnotes.com Aakar Books, 2017 ISBN 978-93-5002-510-9 *** ...
HUG “And when he had opened the fourth seal, I heard the voice of the fourth beast say, ‘Come and see.’ And I looked, and behold a pale horse: and his name that sat on him was Death, and...
Amrit Gangar Finding a form, a cinematographic Mandala! सिनेमॅटोग्राफिक मंडलः स्वरूप का निजी आत्मसात और निरंतर खोज़। All of Ashish Avikunthak’s cinematographic work seems to be held by a...
Adrita Mukherjee, Mantra Mukim and Rohan Kamble *** For any new form of art, which in its epoch might be censured as being too ‘political’, in its trajectory from the streets, where it...
Amrit Gangar _______________ This is a beautiful moment indeed, beautiful because it connects me with yet another moment not in a distant past, but nonetheless in भूतकाल – in the...
Ernest Hilbert _________________ Siege of Fort Mifflin (Battle of Mud Island) A squadron of the vaunted British empire Fell prey to mud, to wind and vengeful fire. A ship-of-the-line ran aground and...
Songs from 26H, Home recordings of Moushumi Bhowmik–with Oliver Weeks, Satyaki Banerjee and Sukanta Majumdar releases soon. After a long hiatus of fifteen years, this is Moushumi’s fourth...