Augustine on Memory: A Note on Confessions 10.8-37
Amlan Dasgupta The Greek word for truth – or more correctly, one of the several words that appear to have been used – is aletheia. The word figures largely in NT Greek and is usually rendered in Latin by the word veritas. Literally, however, aletheia, from the verb lanthanō with the alpha-privative, would mean that which is unconcealed or even unforgotten, that which does not escape memory. The river Lethe in the Greek underworld is the river of forgetting, by crossing which mortals forget their past lives. This view was famously held by Heidegger, who pointed to the pre-Socratic, specifically Homeric, sense of the word. In the oral world of the Homeric epic it is the poet’s commemorative power that enables him to cross the boundary between the living and the dead, between presence and oblivion. Charles Segal writes: “what is truthful for the archaic poet is not the so much what is factually exact as what successfully resists the corrosive darkness of forgetting”. There are many powerful characterizations of memory and remembering in Greek philosophy which may usefully serve to contextualize Augustine’s own reflections on the subject. Starting from the Platonic discussion of memory in the late dialogues, through Aristotle’s subtle distinction of recollection and memory, to the Stoics, there were a number of important theoretical statements to choose from. Even as Augustine inaugurates a new ethic of memory, there is much he carries over from the past, which is only natural considering his deep immersion in classical culture in his early life. Augustine was certainly familiar with the main arguments of his predecessors, and his own treatment has certainly both Platonic and Stoic resonances. We might briefly point to the fact that Augustine tacitly adopts a position popularized in Stoic physical doctrine, that the human soul, or a part of it, is the controlling principle of the human organism. It is to this regulating, rational faculty that the Stoics gave the name hegemonikon; technically part of the soul, pneuma, it regulated ideally the other parts, namely the five senses, the reproductive faculty and the speech faculty. It was the hegemonikon which received sense-data and retained it either as “imprinting” (tuposis) or an” alteration” (alloiosis). The fundamental power of the hegemonikon was to form presentations or phantasiai, which were conveyed by the senses. Memory was stored phantasiai, but they could produce complex structures: conceptions (ennoemata) or even fictional and non-existent things. Marcia Colish points out that Augustine’s own notion of the soul, while retaining traces of the Stoic position, is immeasurably more complex: he integrates into the Stoic concept of the faculties the distinction between the vegetative, animate and rational soul as put forward by the Peripatetics and the Neoplatonic valuation of the spiritual over the physical aspects of human nature: to this Neoplatonized and Aristotelianized conception of the Stoic hegemonikon he adds “the Christian goal of spiritual renewal and communion” (1990:206). There are three major locations for studying Augustine’s thought on memory and remembering, though the subject is an important one to him, and one to which he frequently turns. Significantly they span a great part of his career, and it is quite obvious that there are some differences in approach. The three primary texts are De Magistro, dating from about 389, Confessions 10, probably composed somewhere between 397 and 401, and De Trinitate, completed not before 422. I shall look today solely at one of these texts for reasons simply of easy accessibility: but also the Confessions are not only the most widely read of Augustine’s works, but from the point of view of the present discussion, clearly one that allows us to form a cogent idea of some of the leading notions that inform Augustine’s thought on the memory. The first 9 books of the Augustine chart the story of his early life bringing us to the critical point of his baptism, his abandonment of the study of classical rhetoric and his consequent entry into the Christian life. The 9th book describes also a number of personal tragedies: the death of his mother Monica and the death of his friends. The 10th book is in some senses the beginning of a new section, which includes the discussion of memory, time (11) and language (12). The reflections in this concluding section turn back on the nature of personal recollection: what kind of truth value can be attributed to this narrative of personal experience? Do past memories influence behavior, and if so is the result for the better or the worse? The discussion of memory in Book 10 thus introduces a new form of self reflexivity into the narrative: the product of memory now leads to a discussion of the faculty of memory and the process of remembering. Augustine encounters memory in the course of a journey of self realization and self expression: to realize himself through his record of personal experience, and to present to his readers a life that can be read, that is turned into writing. Thus Augustine’s “confessions” in front of God has another kind of audience, that of the readers and hearers of the Christian community for whom it must be an exemplary exercise. In 10.7.11 Augustine says that will transcend even the natural power by which he lives and has the experience of the senses, as this is enjoyed by baser animals too: and in doing so he encounters memory, which for Cicero distinguished man from beast (Tusc. 1.24.57ff). The wide fields and roomy palaces of memory that Augustine describes in the inaugural section (10.8.12) are a storehouse (thesaurus) of images (imagines) which are conveyed to it by the senses. It appears thus to be a repository, a place, essentially a passive faculty, in which the information provided by the senses is stored up: all that which has not been taken away (absorbuit et sepelevit, lit. devoured and buried) by oblivion. It may be noted that the use of memoria is however not wholly fixed, sometimes referring to something like